Now, as the film prepares for its North American rollout, it has secured a significant boost: Dark Star Pictures has officially come on board to handle U.S. distribution, bringing the film to both theatrical and digital audiences.

A Surreal Descent Into the Creative Mind

At the heart of LUCID is Mia, an art student teetering on the edge of expulsion.

Struggling with a debilitating creative block, she turns to an experimental lucid dreaming elixir as a last resort—hoping to reignite her imagination. What begins as a solution quickly spirals into something far more unsettling, as the boundaries between dream and reality begin to dissolve.

Within this dreamlike space, Mia encounters manifestations of her subconscious, including a haunting transformation of her own mother into a monstrous figure. The film uses this surreal framework not just for visual spectacle, but as a lens to explore deeper emotional conflicts—fear, memory, and the pressure to create.

A Visual Language Rooted in Texture and Nostalgia

Shot on 35mm and Super 8, LUCID embraces a tactile, analog aesthetic that feels both nostalgic and distinctly modern.

The film’s art-punk sensibility draws from 1990s experimental cinema, blending raw textures with stylized imagery. This approach gives the story a hypnotic quality—one that mirrors the instability of Mia’s inner world.

Trailer

The cast, including Caitlin Acken Taylor, Georgia Acken, Amber Dandelion, John Luna, and Vivian Vanderpuss, brings this vision to life with performances that lean into both vulnerability and intensity. Vanderpuss, notably, also designed and wore the film’s striking “hair monster” costume, adding another layer of artistry to the production.

A Collaboration Built on Creative Vision

LUCID marks a compelling collaboration between two distinct creative voices.

Milligan, a seasoned actor, brings a focus on emotionally charged storytelling—often rooted in the “beautiful grotesque.” Fendall, a cinematographer and visual artist, complements this with a strong visual identity shaped by his experience working across documentary and experimental formats.

Together, they’ve created a film that feels deeply personal while still embracing the boldness of genre filmmaking.

From Festival Circuit to Theatrical Release

The film first gained attention with its world premiere at the Fantasia Film Festival in 2025, followed by screenings at Brooklyn Horror and European festivals including Sitges and Noam Faenza.

These early showings positioned LUCID as a standout within the indie genre space—earning recognition for its originality and visual ambition.

With Filmoption International handling Canadian distribution and a theatrical release set for May 29, 2026, the addition of Dark Star Pictures for the U.S. market signals the next phase of the film’s journey.

Championing Distinctive Independent Cinema

For Dark Star Pictures, the partnership aligns with their focus on auteur-driven storytelling.

The company has built a reputation for supporting films that challenge conventional boundaries—projects that may not fit neatly into mainstream categories but resonate strongly with niche audiences. LUCID fits squarely within that vision, offering a blend of psychological horror, experimental visuals, and emotional depth.

A Soundtrack That Enhances the Experience

Music plays a key role in shaping the film’s atmosphere.

Composed by Marta Jaciubek-McKeever, with contributions from artists including James Wollam and guitarist Ayla Tesler Mabe, the soundtrack complements the film’s dreamlike tone—adding another dimension to its immersive world.

A Film That Embraces the Unconventional

What sets LUCID apart is its willingness to fully embrace its identity.

It doesn’t attempt to simplify its narrative or dilute its aesthetic. Instead, it leans into its strangeness—creating a film that is as challenging as it is captivating.

Looking Ahead

As LUCID moves toward its theatrical and digital release, it carries with it the momentum of a strong festival run and the backing of distributors committed to its vision.

For audiences, it offers something increasingly rare: a film that prioritizes creativity over convention, and emotional truth over easy answers.

In a genre often defined by familiar formulas, LUCID stands as a reminder that the most compelling stories are sometimes the ones that dare to venture into the unknown.

For more information, visit here.

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Following a sold-out world premiere in Montreal, the series made its Vancouver debut with special screenings at L’Alliance Française on April 16 and 17, 2026, before its national launch on TV5+.

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A Story of Resistance, Identity, and the Ocean

At the center of the series is Margot Swann, portrayed by Camille Felton—a professional surfer whose life takes an unexpected turn when she becomes entangled in a battle to protect her hometown’s natural landscape.

Set in Tofino, a place where dense forests meet the Pacific Ocean, the story unfolds around a growing conflict between environmental preservation and tourism-driven development. As Margot takes a stand against the destruction of an old forest, she finds herself increasingly isolated—not just from her community, but from her own family.

The stakes are deeply personal. Her activism begins to threaten her career and her Olympic ambitions, forcing her to navigate the tension between purpose and possibility.

Beyond Surf Culture: A Generational Story

While the series is rooted in the world of surfing, it moves beyond the clichés often associated with the sport.

Created by producer Anthony Cauchy, the show draws inspiration from the unique geography and cultural landscape of British Columbia’s west coast. The result is a narrative that feels grounded in place, yet universal in its themes.

Director Dominic Desjardins brings a tone that balances high-performance sport with environmental activism—without leaning into despair. Instead, the series presents activism as something active, urgent, and deeply human.

A Milestone for Francophone Representation

One of the most defining aspects of Surf Bay, côte Ouest is its bilingual production.

With a cast and crew that seamlessly blend French and English, the series reflects the evolving identity of Canadian storytelling—one that embraces diversity not just in narrative, but in language and perspective. Over 60% of the crew speaks French, creating a collaborative environment that bridges cultural and linguistic divides.

The project also highlights the growing presence of Francophone creators in Western Canada, offering a platform for voices that have historically been underrepresented in the region’s film and television landscape.

A Cast That Reflects the Landscape

Alongside Camille Felton, the series features a diverse ensemble including Mia Wistaff, Tony Giroux, Henri Richer-Picard, France Perras, Jessica Heafey, Karl Walcott, and Ben Cotton, among others.

Adding an unexpected layer to the series is a cameo by environmentalist David Suzuki, reinforcing the show’s connection to real-world environmental conversations.

From Local Shores to National Screens

Produced by Locomotive Media and Reign Films, Surf Bay, côte Ouest was shot across British Columbia, with locations spanning Tofino, Ucluelet, and Vancouver, as well as Britannia Beach, Maple Ridge, Langley, and North and West Vancouver.

The series’ national rollout on TV5+ marks the beginning of a broader journey, with plans for a future release on Crave in 2027, expanding its reach to both French and English-speaking audiences.

A Story Rooted in Place, Resonating Everywhere

What makes Surf Bay, côte Ouest stand out is its ability to remain deeply local while speaking to global themes.

It’s a story about environmental responsibility, community tension, and the personal cost of standing up for what matters. But it’s also about identity—how we define ourselves in relation to the places we come from and the choices we make.

A New Direction for Canadian Drama

As the series makes its debut, it signals a shift in how Canadian stories are being told.

With its bilingual approach, strong female lead, and focus on contemporary issues, Surf Bay, côte Ouest feels like part of a broader movement—one that prioritizes authenticity, diversity, and connection.

And in doing so, it offers something that feels both fresh and familiar: a story shaped by its environment, carried by its characters, and grounded in the realities of the world we’re living in today.

For more information, visit here.

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Announced on April 16, 2026, the project signals an exciting new chapter not only for McKenzie, but also for a creative team bringing together Canadian storytelling with international production ambitions.

A High-Stakes Heist with a Distinct Voice

At its core, Out of Luck is a revenge-driven heist story—one that centers on a group of women determined to reclaim control after being wronged.

Set against the spirited backdrop of St. Patrick’s Day, the narrative follows these women as they orchestrate a bold plan to rob a series of Irish bars owned by the man who betrayed them. The premise blends suspense with sharp character dynamics, offering a female-driven take on the heist genre that feels both contemporary and character-focused.

For McKenzie, the project represents an opportunity to translate the storytelling sensibility that has defined her literary career into a cinematic format—one that reflects both her commercial appeal and her understanding of audience-driven narratives.

From Page to Screen: A New Creative Chapter

Writing under the pseudonym Catherine Mack, McKenzie has built a global readership, with nearly two million books sold worldwide. Known for her work across suspense, thrillers, and romantic comedies—including her popular Vacation Mysteries series—she now steps into filmmaking with Out of Luck as her first feature screenplay.

Her transition into film feels like a natural progression, especially at a time when audiences are increasingly drawn to strong, character-led stories with broad appeal. For McKenzie, the project also reflects a belief in the growing demand for Canadian stories within both domestic and international markets.

A Director with Momentum

Bringing the story to life is director Laura Adkin, who is coming off the success of her debut feature Re:Uniting.

The film, which premiered at the Austin Film Festival in 2023 and saw a North American theatrical release in 2024, earned recognition for its emotional depth and strong performances, including those from Jesse L. Martin and Michelle Harrison. Its festival success and awards run positioned Adkin as a filmmaker to watch—making her a fitting choice to helm a project that blends suspense with character-driven storytelling.

Adkin’s enthusiasm for Out of Luck reflects the project’s potential to stand out within the genre, particularly through its focus on female perspectives and its distinctly Canadian creative voice.

A Collaborative Production Across Borders

Produced by Adkin alongside Krista Rand, the film is being developed as a Canada-Hungary co-production between Flat/Head Films and Scripted Productions.

The project will shoot in Budapest, with location scouting already underway, bringing an international dimension to what remains a Canadian-led creative effort. Additional collaborators include co-producers Julia Molnar and Tamás McGillivray, with cinematography by Stirling Bancroft, whose previous work includes Freaks and Final Destination Bloodlines.

This cross-border collaboration reflects a broader trend in independent filmmaking—where international partnerships allow projects to scale creatively while maintaining their original voice.

Cannes as a Launchpad

As development continues, Out of Luck is set to make its next move at the Marché du Film, part of the prestigious Festival de Cannes.

Adkin and Rand will present the project through the Film Market Access Program, an initiative designed to connect emerging filmmakers with the global marketplace. The program offers a platform to further develop, position, and secure partnerships for films navigating the competitive international landscape.

For Out of Luck, Cannes represents not just exposure, but an opportunity to shape the film’s future trajectory—both creatively and commercially.

A Story of Ambition and Timing

The development of Out of Luck arrives at a moment when audiences are increasingly seeking stories that combine entertainment with perspective—narratives that are both engaging and reflective of diverse voices.

With its female-led storyline, international scope, and the combined experience of its creative team, the film is positioned to resonate across markets while maintaining a strong sense of identity.

Looking Ahead

As Out of Luck moves from script to screen, it carries with it the promise of something fresh—a project rooted in storytelling, collaboration, and the evolving landscape of Canadian cinema.

For Catherine McKenzie, it marks the beginning of a new creative journey. For Laura Adkin and the production team, it’s another step forward in building a body of work that balances ambition with authenticity.

And for audiences, it’s a reminder that sometimes, the most compelling stories come from those willing to take a risk—and make their own luck.

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Arriving on public television across North America from May 27 through June 9, 2026, before its digital release on June 10, the film feels less like a retrospective and more like a heartfelt reunion—one that reconnects viewers with a series that quietly shaped how many of us first engaged with literature.

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A Story Behind the Story

Directed by Joey Stewart, who was closely tied to the original series, the documentary takes a deeper look at how Wishbone came to life—and how something so ambitious managed to resonate so widely.

From the outside, the concept always seemed delightfully simple: a dog reimagining classic literature. But what the documentary reveals is the level of creativity, experimentation, and even chaos that went into making it work. It’s a reminder that some of the most enduring ideas often begin as risks.

Stewart approaches the subject with a clear sense of personal connection. Rather than presenting a polished narrative, the film embraces the imperfections and behind-the-scenes realities that shaped the show. That honesty is what makes it feel authentic.

The Voices That Built a Phenomenon

One of the documentary’s strongest elements is the range of voices it brings together.

From the creative minds behind the series—like creator Rick Duffield, producer Betty Buckley, and head writer Stephanie Simpson—to the cast and crew who brought it to life, the film pieces together a collective memory of what Wishbone meant then and what it continues to represent today.

Hearing from Larry Brantley, the voice of Wishbone, adds a particularly emotional layer. His reflection—that after 30 years, audiences can finally understand what it was like to be part of the show—captures the essence of the documentary itself. It’s not just about explaining the past; it’s about preserving it.

The inclusion of cultural voices like Mo Rocca, Dan Rather, and George W. Bush further underscores the show’s broad impact, highlighting how deeply it permeated both pop culture and education.

More Than Nostalgia

While the film naturally leans into nostalgia, it avoids becoming overly sentimental.

Instead, it focuses on the lasting relevance of Wishbone. The series introduced young audiences to works ranging from Sherlock Holmes to The Odyssey, making literature feel less like an academic requirement and more like an adventure.

Watching the documentary, it becomes clear that the show’s success wasn’t just about creativity—it was about intention. There was a genuine desire to inspire curiosity and a love of reading, something that feels especially meaningful in today’s fast-paced, digital-first world.

A Personal Reflection on Why It Still Matters

What stands out most about What’s the Story, Wishbone? is how personal it feels—not just for the creators, but for the audience.

For many, Wishbone was an early introduction to storytelling that didn’t feel forced or instructional. It was imaginative, slightly quirky, and always engaging. The documentary taps into that shared memory, reminding viewers of a time when learning felt like play.

At the same time, it invites a new generation to discover what made the series so special. In doing so, it bridges the gap between past and present, showing that good storytelling—no matter how it’s delivered—never really goes out of style.

A Legacy That Continues to Inspire

Produced by the original creative team behind the series, including Betty Buckley, Joey Stewart, Larry Brantley, and Stephanie Simpson, the documentary carries forward the same spirit that defined Wishbone.

It’s thoughtful, creative, and rooted in a genuine love for storytelling.

As the film rolls out across North America, it does more than revisit a beloved show—it reaffirms its place in cultural history. It reminds us that sometimes, the smallest characters can leave the biggest impact.

And in the case of Wishbone, that impact is still being felt—one story at a time.

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Following a successful festival run marked by critical acclaim, the film’s digital debut signals a significant moment for both its creators and the evolving landscape of independent genre storytelling.

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A Platform Built for Distinctive Horror Voices

Known for spotlighting bold, original work, ALTER has become a key platform for emerging filmmakers in the horror space. Its presence extends beyond YouTube, reaching audiences across Samsung TV+, Tubi, Plex, The CW, DIRECTV, LG Channels, and Sling FreeStream—offering global visibility that few independent projects can access.

For the team behind The Girl in the Street, the partnership represents more than distribution—it’s an opportunity to connect with an audience that actively seeks out inventive and visually driven horror.

A Story That Explores Morality Under Pressure

At the center of the film is Malachi, portrayed by Shawn Roundtree Jr., a man forced into an emotional and moral crossroads.

After accepting a life-changing job opportunity, Malachi leaves behind his dying younger sister and relocates to a remote town. What begins as a fresh start quickly shifts into something far more unsettling. A disturbing encounter with a moving truck driver sets the tone, but it is the appearance of a bloodied, masked woman on a quiet dirt road that transforms the narrative into a chilling psychological dilemma.

Faced with the choice to help or remain safely inside, Malachi must confront the limits of his own humanity. The film uses this moment to probe deeper questions—about morality, survival, and the hidden tensions beneath seemingly ordinary communities.

A Creative Team Pushing Genre Boundaries

The film is directed by the acclaimed Black filmmaking duo Chris Paicely and Miles August, known collectively as Chris & Miles. Written by Paicely, the project reflects their growing reputation for blending social commentary with genre storytelling.

The cast also includes Whitney Blair Masters, D’Andra Laneé, and Chris Anthony, with a special cameo from horror icon Heather Langenkamp—a presence that connects the film to the legacy of classic horror while reinforcing its contemporary voice.

Behind the camera, cinematographer Lana Mattice brings a distinct visual tone, supported by post-production work from industry leaders Fotokem and Esho Sound. The original score by Pablo Fuu further enhances the film’s atmospheric tension, creating an immersive experience that lingers beyond its runtime.

From Festival Acclaim to Global Release

Before its ALTER premiere, The Girl in the Street built strong momentum on the festival circuit, earning recognition for its storytelling and visual execution.

The transition from festivals to a global platform marks a natural progression for the film—one that allows it to reach a wider audience while maintaining its independent spirit.

For Paicely, the release is particularly meaningful, reflecting the culmination of a journey that began with a commitment to authentic storytelling. August echoes this sentiment, emphasizing the importance of connecting with viewers who appreciate the depth and creativity of modern horror.

A Filmmaking Duo on the Rise

Chris & Miles have steadily established themselves as voices to watch within the genre. Their previous works, including the sci-fi short ALUS (2022) and the psychological horror film BOUND (2023), have demonstrated a willingness to experiment with form and narrative.

Their latest project, SILK, currently on the festival circuit, continues this trajectory—blending stylized visuals with psychological themes in a way that challenges conventional storytelling.

Both filmmakers bring multidisciplinary backgrounds to their work. Paicely’s experience in journalism and marketing informs his narrative approach, while August’s foundation in visual art and music contributes to the films’ distinctive aesthetic.

A New Wave of Independent Horror

The premiere of The Girl in the Street reflects a broader shift within the horror genre—one where independent creators are increasingly shaping the conversation.

Platforms like ALTER have made it possible for these voices to reach global audiences without compromising their vision. In turn, audiences are discovering stories that feel more personal, more experimental, and more reflective of contemporary themes.

Where Horror Meets Humanity

At its core, The Girl in the Street is not just about fear—it is about choice, responsibility, and the complexities of human behavior.

By placing its protagonist in a moment of moral uncertainty, the film invites viewers to question what they would do in the same situation. It is this emotional depth, combined with its atmospheric tension, that sets the film apart.

As it premieres on ALTER, The Girl in the Street arrives not only as a compelling piece of horror, but as part of a growing movement—one that is redefining what the genre can be.

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Following its breakout premiere at the Toronto International Film Festival, where it won the prestigious FIPRESCI Award, the film will open theatrically in the United States beginning May 29, 2026, starting in New York City at Film Forum, with additional cities to follow.

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A Story Where Memory and Reality Intertwine

Set against the sun-drenched backdrop of Mallorca, Forastera follows teenager Cata, played by rising star Zoe Stein, as she spends a seemingly carefree summer at her grandparents’ home.

The film opens in a familiar rhythm—days filled with swimming in the Mediterranean, playful moments with her younger sister, and the tentative excitement of a summer romance. But this sense of ease is suddenly disrupted by the unexpected death of her grandmother, Catalina.

As grief settles over the family, Cata finds herself drawn into a more intimate and mysterious connection with her grandmother’s presence. Slipping into her clothes and surrounding herself with her belongings, she begins to experience a subtle blurring between the living and the departed.

What unfolds is not a traditional ghost story, but a quiet meditation on how memory lingers—how love, loss, and identity continue to shape us even after someone is gone.

A Breakout Performance Anchors the Film

At the center of the film is Zoe Stein, whose performance as Cata has been widely praised for its emotional depth and nuance.

Stein brings a sense of restraint and authenticity to the role, capturing the complexity of adolescence as it intersects with grief. Her portrayal reflects a delicate balance—between vulnerability and strength, curiosity and responsibility—making Cata feel both deeply personal and universally relatable.

Surrounded by a strong supporting cast including Lluís Homar, Núria Prims, Nonni Ardal, and Martina García, the film builds a layered emotional landscape that feels intimate and immersive.

A Visual Language Rooted in Stillness and Light

One of Forastera’s most defining qualities is its visual atmosphere. Cinematographer Agnès Piqué captures Mallorca with a sense of quiet beauty—where bright Mediterranean light contrasts with the emotional weight of the story.

Rather than relying on dramatic effects, the film uses stillness, composition, and natural light to create a feeling of presence. The result is a world that feels both real and slightly suspended in time, mirroring Cata’s internal experience as she navigates loss.

This minimalist approach extends to the film’s sound and score, allowing space for reflection and emotional resonance without overwhelming the narrative.

A Director to Watch

With Forastera, Lucía Aleñar Iglesias establishes herself as a distinctive new voice in international cinema.

Originally from Madrid and now based in Los Angeles, Iglesias brings a global perspective shaped by her studies at NYU and Columbia University. Her earlier short film of the same name screened at major festivals including Cannes Critics’ Week, setting the stage for this feature-length debut.

Her storytelling approach—subtle, emotionally grounded, and visually precise—signals a filmmaker deeply interested in exploring the human experience through atmosphere and nuance.

A Film That Redefines the Ghost Story

While Forastera carries the elements of a ghost story, it resists conventional genre expectations.

There are no dramatic scares or overt supernatural moments. Instead, the film focuses on the emotional reality of grief—the way absence can feel like presence, and how memory becomes a living force.

In doing so, it transforms the idea of a ghost into something more personal: a reflection of love that continues to exist beyond physical boundaries.

A Festival Favorite Finds Its Audience

After earning critical acclaim at TIFF and receiving strong praise from international critics, Forastera now arrives for its U.S. theatrical release, offering audiences a chance to experience its quiet power on the big screen.

Distributed by Grasshopper Film, a company known for championing independent and artist-driven cinema, the film is positioned to reach audiences seeking thoughtful, emotionally rich storytelling.

A Story That Lingers

At its core, Forastera is a film about transitions—between childhood and adulthood, presence and absence, memory and reality.

It invites viewers to sit with its emotions rather than rush through them, creating an experience that unfolds slowly and lingers long after the final frame.

In a world that often moves too quickly, Forastera offers something rare: a moment to pause, reflect, and feel.

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Beginning April 2026, the film embarks on a carefully curated theatrical rollout across the United States, bringing with it a deeply personal story and an equally intentional distribution strategy.

A Story Centered on Care, Memory, and Human Connection

At the heart of Watching Mr. Pearson lies an intimate and emotionally resonant narrative. The film follows two caregivers, Caroline and Miguel, as they share responsibility for Robert Pearson—a once-celebrated actor now facing the disorienting realities of cognitive decline.

While Miguel approaches caregiving through routine and structure, Caroline adopts a more imaginative method, stepping into scenes from Pearson’s past to keep him engaged. As their approaches begin to diverge, the film explores the fragile boundary between performance and reality, asking a profound question: what does it truly mean to care for someone at the edge of memory and identity?

The story unfolds with quiet intensity, offering a nuanced portrayal of caregiving that feels both personal and universally relatable.

A Cast That Brings Depth and Authenticity

Leading the film is Hugo Armstrong, whose portrayal of Robert Pearson captures both vulnerability and complexity. Known for roles in Lucky and Coherence, Armstrong delivers a performance that anchors the film’s emotional core.

He is joined by Sam Bullington, Zainab Jah, Dominika Zawada, and Luis Rizo, forming an ensemble that brings authenticity and subtlety to the narrative. Together, the cast creates a layered exploration of caregiving relationships, identity, and the human need for connection.

A Different Approach to Film Distribution

What sets Watching Mr. Pearson apart is not only its story, but how it is being shared.

Produced by Boston-based KT Pictures and Hedy Films, the film marks the first theatrical release from the creative partnership behind the SXSW-premiered Imposters. While that project showcased bold genre storytelling, Watching Mr. Pearson reflects the collective’s deeper mission—human-centered filmmaking grounded in empathy and real-world experience.

Instead of relying solely on traditional distribution channels, the team has built a grassroots strategy designed to meet audiences where they are. The rollout includes direct engagement with local theaters, partnerships with community organizations, and in-person appearances by filmmakers and cast members.

Building Community Through Cinema

The film’s release has been intentionally shaped through outreach to senior communities, healthcare professionals, and memory care organizations—groups closely connected to the film’s themes.

At the same time, the campaign extends to faith-based communities, emphasizing messages of compassion, presence, and care. This inclusive approach ensures that the film resonates across diverse audiences, creating space for conversation and reflection.

In parallel, Watching Mr. Pearson has become a point of interest within academic circles, particularly in film and media studies. Its “build it from the ground up” distribution model offers a real-time case study in how independent films can connect with audiences outside traditional systems.

As the filmmaking team explains, the goal is simple yet powerful: to create connection—whether in a theater, a classroom, or a community setting.

A Nationwide Tour That Brings Filmmakers to Audiences

Adding to the film’s unique rollout is a nationwide tour featuring in-person appearances and post-screening discussions.

Director and co-writer Dillon Bentlage, producer Brian Reilly, and co-writer/producer Simon Kienitz Kincade will attend select screenings, offering audiences the opportunity to engage directly with the creative team. Additional cast appearances in select markets further deepen the experience, transforming screenings into interactive, community-driven events.

These conversations are designed to extend the film’s impact beyond the screen, encouraging dialogue around caregiving, memory, and emotional connection.

A Theatrical Journey Across the United States

The rollout spans multiple cities and regions, beginning in Connecticut and expanding nationwide, with stops in Massachusetts, Delaware, Virginia, New Mexico, Florida, Louisiana, New York, California, and beyond.

Rather than a single, centralized premiere, the film’s journey unfolds gradually—mirroring its philosophy of building meaningful connections one community at a time.

A New Model for Independent Cinema

Supported by RBL Films & PR, led by Ry Levey, the release reflects a growing shift in how independent films can reach audiences. By prioritizing engagement over scale and authenticity over automation, Watching Mr. Pearson offers a compelling alternative to traditional distribution models.

It is a reminder that cinema, at its core, is a shared experience—one that thrives on connection, conversation, and emotional resonance.

Where Film Becomes a Shared Experience

As Watching Mr. Pearson travels across the country, it carries with it more than a story—it carries an approach.

One that values presence over promotion, dialogue over distance, and community over convention.

In doing so, it not only tells a story about care and connection—it lives it.

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